“How does Xanadu qualify as the greatest movie musical? Simple: it offers nothing but pure wall-to-wall fun and nonsense to keep a smile on one’s face from the opening credits (which cleverly spoof the logo of Universal Pictures) through the end of the picture” Film Threat
“The film is too energetic, too jaw-droppingly campy, and too silly not to be enjoyed and celebrated on some level. “Cheesy” doesn’t even begin to describe it, yet that’s at the heart of its perverse charm. No...
“How does Xanadu qualify as the greatest movie musical? Simple: it offers nothing but pure wall-to-wall fun and nonsense to keep a smile on one’s face from the opening credits (which cleverly spoof the logo of Universal Pictures) through the end of the picture” Film Threat
“The film is too energetic, too jaw-droppingly campy, and too silly not to be enjoyed and celebrated on some level. “Cheesy” doesn’t even begin to describe it, yet that’s at the heart of its perverse charm. Now, that’s entertainment!” ReelViews
“Xanadu’s collage of musical styles and fads inadvertently suggests the utopia of post-disco no wave, hip-hop’s emerging legacy of sampling and the DIY spirit of mash-ups.” Slant Magazine
Struggling artist Sonny Malone (Michael Beck) is trapped in a dull job painting album covers. He is instantly attracted to Kira (Olivia Newton-John), an anonymous woman randomly photographed in the background of one of his assignments, but no one is able to identify her. Visiting the auditorium where the cover was shot, Sonny finds the mysterious beauty, an ageless Greek muse, who encourages him to team up with old-fashioned Danny McGuire (Gene Kelly) to build a roller-skating disco
Dir. Robert Greenwald. 96 min. 1980.
